{"id":1021,"date":"2018-03-10T17:11:19","date_gmt":"2018-03-10T20:11:19","guid":{"rendered":"http:\/\/www.sabra.org.br\/site\/?page_id=1021"},"modified":"2026-05-13T13:15:30","modified_gmt":"2026-05-13T16:15:30","slug":"o-vos-omnes","status":"publish","type":"page","link":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/o-vos-omnes\/","title":{"rendered":"O Vos Omnes"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>O Vos Omnes<\/strong><br \/>\n<strong>Jer\u00f4nimo de Souza Lobo<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Download:<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/Ovomnes-Full-Score.pdf\" target=\"_blank\" rel=\"noopener\">Partitura<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/Ovomnes-PartesFV.pdf\" target=\"_blank\" rel=\"noopener\">Partes instrumentais<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/Ovomnes-CP-Full-Score.pdf\" target=\"_blank\" rel=\"noopener\">Redu\u00e7\u00e3o para vozes e piano<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Informa\u00e7\u00e3o Geral<\/strong><\/span><\/p>\n<p><strong>Clave\/tom:<\/strong> C menor<\/p>\n<p><strong>Movimentos\/Se\u00e7\u00f5es:<\/strong> 1<\/p>\n<p><strong>L\u00edngua:<\/strong> Latim<\/p>\n<p><strong>Dura\u00e7\u00e3o m\u00e9dia: <\/strong>\u00a04 minutos<\/p>\n<p><strong>Estilo da obra:<\/strong> Cl\u00e1ssica<\/p>\n<p><strong>Instrumenta\u00e7\u00e3o:<\/strong> coral misto (SATB), 2 flautas, 2 trompas (F), 2 violinos, violas, violoncelos e contrabaixos<\/p>\n<p><strong>G\u00eanero:<\/strong> Coros sacros; Coral; M\u00fasica sacra; para coro misto; orquestra; partitura com coral misto; partitura com orquestra; para coro e orquestra; l\u00edngua latina; texto em latim<br \/>\n(Sacred choruses; Choruses; Religious works; For mixed chorus, orchestra; Scores featuring mixed chorus; Scores featuring the orchestra; For chorus with orchestra; Latin language)<\/p>\n<p><strong>Primeira publica\u00e7\u00e3o:<\/strong> 2005<\/p>\n<p><strong>Informa\u00e7\u00e3o da editora:<\/strong> Belo Horizonte: Editora Pontes\/MG<\/p>\n<p><strong>Editor:<\/strong> Marcio Miranda Pontes<\/p>\n<p><strong>Direitos autorais:<\/strong> Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O Vos Omnes Jer\u00f4nimo de Souza Lobo Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Redu\u00e7\u00e3o para vozes e piano Informa\u00e7\u00e3o&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":74,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"class_list":["post-1021","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P95j2Z-gt","jetpack-related-posts":[{"id":74,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/","url_meta":{"origin":1021,"position":0},"title":"Edi\u00e7\u00e3o de Manuscritos Musicais","author":"M\u00e1rcio Miranda Pontes","date":"4 de julho de 2016","format":false,"excerpt":"Edi\u00e7\u00e3o de manuscritos musicais Desde 1999 o maestro M\u00e1rcio Miranda Pontes desenvolve intenso trabalho de pesquisa sobre a m\u00fasica de compositores brasileiros\u00a0dos s\u00e9culos XVIII e XIX. Como resultado, foram restauradas e publicadas edi\u00e7\u00f5es de dezenas de obras. Para ampliar e facilitar o acesso ao material produzido, foram realizadas a impress\u00e3o\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"partituracor-crop-u1705","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=700%2C400 2x"},"classes":[]},{"id":24,"url":"https:\/\/www.sabra.org.br\/site\/doe-agora\/","url_meta":{"origin":1021,"position":1},"title":"Doe agora","author":"M\u00e1rcio Miranda Pontes","date":"24 de maio de 2016","format":false,"excerpt":"SABRA - Capta\u00e7\u00e3o de Recursos SABRA \u00b7 Sociedade Art\u00edstica Brasileira Fundada em 2013 \u00b7 Betim\/MG \u00b7 Certifica\u00e7\u00e3o CEBAS \u00cdndice 1. Doa\u00e7\u00f5es e Patroc\u00ednios Incentivados (Lei Rouanet) 2. Incentivo Coletivo Cont\u00ednuo 3. Doa\u00e7\u00f5es via IRPF \u2013 Fundo da Inf\u00e2ncia e Adolesc\u00eancia (FIA) 4. Doa\u00e7\u00f5es via IRPJ \u2013 Fundo da Inf\u00e2ncia e\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2,"url":"https:\/\/www.sabra.org.br\/site\/transparencia\/politica-de-privacidade\/","url_meta":{"origin":1021,"position":2},"title":"Pol\u00edtica de Privacidade","author":"M\u00e1rcio Miranda Pontes","date":"23 de maio de 2016","format":false,"excerpt":"Pol\u00edtica de Privacidade Esta Pol\u00edtica de Privacidade descreve as pr\u00e1ticas da Sociedade Art\u00edstica Brasileira, com sede nesta Cidade de Betim, Estado Minas Gerais, a Rua Dr. Silvio Lobo, n\u00b0 171, Angola, CEP 32.604-170, inscrita no CNPJ\/MF sob o n\u00ba 19.442.344\/0001-89, em rela\u00e7\u00e3o aos dados coletados por meio do site www.sabra.org.br,\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"Pol\u00edtica de Privacidade","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2019\/04\/binary-1327493__340.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8290,"url":"https:\/\/www.sabra.org.br\/site\/solar-dos-airizes\/","url_meta":{"origin":1021,"position":3},"title":"Solar dos Airizes","author":"M\u00e1rcio Miranda Pontes","date":"20 de outubro de 2023","format":false,"excerpt":"RESTAURO EMERGENCIAL\u00a0DO SOLAR DOS AYRIZES em Campos dos Goytacazes - RJ CADERNO DE ESPECIFICA\u00c7\u00d5ES T\u00c9CNICAS \u00a0\u00a0\u00a0 1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 INTRODU\u00c7\u00c3O Conforme nos descreve o portal ipatrimonio.org(http:\/\/www.ipatrimonio.org\/campos-dos-goytacazes-solar-dos-airizes): \"[Constru\u00eddo no s\u00e9culo XIX e] Tombado pelo Instituto do Patrim\u00f4nio Hist\u00f3rico e Art\u00edstico Nacional (Iphan), em 1940, o Solar dos Airizes foi resid\u00eancia de Alberto Lamego,\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"sabra-airizes-aytizes-campos-dos-goytacazes-restauro-restaura\u00e7\u00e3o","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2023\/10\/Airizes-jpg.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2023\/10\/Airizes-jpg.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2023\/10\/Airizes-jpg.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2023\/10\/Airizes-jpg.webp?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2023\/10\/Airizes-jpg.webp?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":5426,"url":"https:\/\/www.sabra.org.br\/site\/politica-de-cookies-br\/","url_meta":{"origin":1021,"position":4},"title":"Pol\u00edtica de Cookies (BR)","author":"M\u00e1rcio Miranda Pontes","date":"1 de agosto de 2022","format":false,"excerpt":"Pol\u00edtica de Cookies da Sociedade Art\u00edstica Brasileira - SABRA A presente Pol\u00edtica de Cookies \u00e9 um documento complementar \u00e0 Pol\u00edtica de Privacidade da Sociedade Art\u00edstica Brasileira - SABRA, dispon\u00edvel neste link: Pol\u00edtica de Privacidade.\u00a0Aqui, voc\u00ea encontrar\u00e1 informa\u00e7\u00f5es objetivas e claras sobre o que s\u00e3o Cookies, quais Cookies utilizamos em nossas\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1109,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/o-lingua-benedicta\/","url_meta":{"origin":1021,"position":5},"title":"O Lingua Benedicta","author":"","date":"11 de mar\u00e7o de 2018","format":false,"excerpt":"O Lingua Benedicta Jos\u00e9 Rodrigues Domingues de Meireles Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Redu\u00e7\u00e3o para vozes e piano Informa\u00e7\u00e3o Geral Clave\/tom: C maior Movimentos\/Se\u00e7\u00f5es: 1 L\u00edngua: Latim Dura\u00e7\u00e3o m\u00e9dia:\u00a0 6 minutos Estilo da obra: Cl\u00e1ssica Instrumenta\u00e7\u00e3o: soprano solo, 2 violinos, violas, violoncelos e\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/1021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":1,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/1021\/revisions"}],"predecessor-version":[{"id":15774,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/1021\/revisions\/15774"}],"up":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/74"}],"wp:attachment":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/media?parent=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}