{"id":4546,"date":"2022-01-06T07:32:33","date_gmt":"2022-01-06T10:32:33","guid":{"rendered":"https:\/\/www.sabra.org.br\/site\/?page_id=4546"},"modified":"2026-05-13T13:15:31","modified_gmt":"2026-05-13T16:15:31","slug":"tercio","status":"publish","type":"page","link":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/tercio\/","title":{"rendered":"Tercio"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Tercio<\/strong><br \/>\n<strong>Jos\u00e9 Joaquim Emerico Lobo de Mesquita<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Download:<\/strong><\/span><br \/>\n<a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/12\/Tercio-Partitura-inteira.pdf\" target=\"_blank\" rel=\"noopener\">Partitura<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/12\/Tercio-parts.pdf\" target=\"_blank\" rel=\"noopener\">Partes instrumentais<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/12\/Tercio-ParteVocal-Partitura-inteira.pdf\" target=\"_blank\" rel=\"noopener\">Parte vocal<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Informa\u00e7\u00e3o Geral<\/strong><\/span><\/p>\n<p><strong>Clave\/tom<\/strong>: Bb maior<\/p>\n<p><strong>Movimentos\/Se\u00e7\u00f5es<\/strong>: 4<\/p>\n<p><strong>L\u00edngua<\/strong>: Latim<\/p>\n<p><strong>Dura\u00e7\u00e3o m\u00e9dia<\/strong>:\u00a0 15 minutos<\/p>\n<p><strong>Estilo da obra<\/strong>: Cl\u00e1ssica<\/p>\n<p><strong>Instrumenta\u00e7\u00e3o<\/strong>: coral misto (SATB), 2 violinos, violas, violoncelos e contrabaixos<\/p>\n<p><strong>G\u00eanero<\/strong>: Coros sacros; Coral; M\u00fasica sacra; para coro misto; orquestra; partitura com coral misto; partitura com orquestra; para coro e orquestra; l\u00edngua latina; texto em latim (Sacred choruses; Choruses; Religious works; For mixed chorus, orchestra; Scores featuring mixed chorus; Scores featuring the orchestra; For chorus with orchestra; Latin language)<\/p>\n<p><strong>Primeira publica\u00e7\u00e3o<\/strong>: 2006<\/p>\n<p><strong>Informa\u00e7\u00e3o da editora<\/strong>: Belo Horizonte: Editora Pontes\/MG<\/p>\n<p><strong>Editor<\/strong>: Marcio Miranda Pontes<\/p>\n<p><strong>ISBN:<\/strong> 85-89307-21-2<\/p>\n<p><strong>Direitos autorais<\/strong>: Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tercio Jos\u00e9 Joaquim Emerico Lobo de Mesquita Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Parte vocal Informa\u00e7\u00e3o Geral Clave\/tom: Bb&hellip;<\/p>\n","protected":false},"author":39,"featured_media":0,"parent":74,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"default","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"class_list":["post-4546","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P95j2Z-1bk","jetpack-related-posts":[{"id":74,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/","url_meta":{"origin":4546,"position":0},"title":"Edi\u00e7\u00e3o de Manuscritos Musicais","author":"M\u00e1rcio Miranda Pontes","date":"4 de julho de 2016","format":false,"excerpt":"Edi\u00e7\u00e3o de manuscritos musicais Desde 1999 o maestro M\u00e1rcio Miranda Pontes desenvolve intenso trabalho de pesquisa sobre a m\u00fasica de compositores brasileiros\u00a0dos s\u00e9culos XVIII e XIX. Como resultado, foram restauradas e publicadas edi\u00e7\u00f5es de dezenas de obras. Para ampliar e facilitar o acesso ao material produzido, foram realizadas a impress\u00e3o\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"partituracor-crop-u1705","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/4546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/comments?post=4546"}],"version-history":[{"count":1,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/4546\/revisions"}],"predecessor-version":[{"id":15786,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/4546\/revisions\/15786"}],"up":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/74"}],"wp:attachment":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/media?parent=4546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}