{"id":909,"date":"2018-03-10T06:34:46","date_gmt":"2018-03-10T09:34:46","guid":{"rendered":"http:\/\/www.sabra.org.br\/site\/?page_id=909"},"modified":"2026-05-13T13:15:31","modified_gmt":"2026-05-13T16:15:31","slug":"trezena-de-santo-antonio","status":"publish","type":"page","link":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/trezena-de-santo-antonio\/","title":{"rendered":"Trezena de Santo Ant\u00f4nio"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Trezena de Santo Ant\u00f4nio<\/strong><br \/>\n<strong> Compositor n\u00e3o identificado (Anonymous)<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Download:<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/TrezenaStoAntonio_128-Full-Score.pdf\" target=\"_blank\" rel=\"noopener\">Partitura<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/TrezenaStoAntonio_128-PartesFV.pdf\" target=\"_blank\" rel=\"noopener\">Partes instrumentais<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.sabra.org.br\/site\/wp-content\/uploads\/2018\/03\/TrezenaStoAntonio_128-CP-Full-Score.pdf\" target=\"_blank\" rel=\"noopener\">Redu\u00e7\u00e3o para vozes e piano<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #808000;\"><strong>Informa\u00e7\u00e3o Geral<\/strong><\/span><\/p>\n<p><strong>Clave\/tom:<\/strong> D maior<\/p>\n<p><strong>Movimentos\/Se\u00e7\u00f5es:<\/strong> 1<\/p>\n<p><strong>L\u00edngua:<\/strong> Latim<\/p>\n<p><strong>Dura\u00e7\u00e3o m\u00e9dia: <\/strong>9 minutos<\/p>\n<p><strong>Estilo da obra:<\/strong> Cl\u00e1ssica<\/p>\n<p><strong>Instrumenta\u00e7\u00e3o:<\/strong> coral misto (SATB), 2 trompas (F), 2 violinos e violoncelos<\/p>\n<p><strong>G\u00eanero:<\/strong> Coros sacros; Coral; M\u00fasica sacra; para coro misto; orquestra; partitura com coral misto; partitura com orquestra; para coro e orquestra; l\u00edngua latina; texto em latim<br \/>\n(Sacred choruses; Choruses; Religious works; For mixed chorus, orchestra; Scores featuring mixed chorus; Scores featuring the orchestra; For chorus with orchestra; Latin language)<\/p>\n<p><strong>Primeira publica\u00e7\u00e3o:<\/strong> 2012<\/p>\n<p><strong>Informa\u00e7\u00e3o da editora:<\/strong> Belo Horizonte: Editora Pontes\/MG<\/p>\n<p><strong>Editor:<\/strong> Marcio Miranda Pontes<\/p>\n<p><strong>Direitos autorais:<\/strong> Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trezena de Santo Ant\u00f4nio Compositor n\u00e3o identificado (Anonymous) Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Redu\u00e7\u00e3o para vozes e piano&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":74,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"class_list":["post-909","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P95j2Z-eF","jetpack-related-posts":[{"id":2677,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/","url_meta":{"origin":909,"position":0},"title":"Patrim\u00f4nio Hist\u00f3rico, Art\u00edstico e Cultural","author":"M\u00e1rcio Miranda Pontes","date":"2 de abril de 2020","format":false,"excerpt":"Patrim\u00f4nio Hist\u00f3rico, Art\u00edstico e Cultural A SABRA incentiva e desenvolve intenso trabalho de pesquisa e restaura\u00e7\u00e3o da m\u00fasica de compositores brasileiros dos s\u00e9culos XVIII e XIX e de documentos hist\u00f3ricos, al\u00e9m de bens m\u00f3veis e im\u00f3veis. Conhe\u00e7a nossos trabalhos: Tesouros Musicais BrasileirosEdi\u00e7\u00e3o de Manuscritos MusicaisA\u00e7\u00f5es de Educa\u00e7\u00e3o Patrimonial - temas:\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"Fazenda Campos Novos","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/04\/Fazenda-Campos-Novos.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/04\/Fazenda-Campos-Novos.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/04\/Fazenda-Campos-Novos.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/04\/Fazenda-Campos-Novos.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2022\/04\/Fazenda-Campos-Novos.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":74,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/","url_meta":{"origin":909,"position":1},"title":"Edi\u00e7\u00e3o de Manuscritos Musicais","author":"M\u00e1rcio Miranda Pontes","date":"4 de julho de 2016","format":false,"excerpt":"Edi\u00e7\u00e3o de manuscritos musicais Desde 1999 o maestro M\u00e1rcio Miranda Pontes desenvolve intenso trabalho de pesquisa sobre a m\u00fasica de compositores brasileiros\u00a0dos s\u00e9culos XVIII e XIX. Como resultado, foram restauradas e publicadas edi\u00e7\u00f5es de dezenas de obras. Para ampliar e facilitar o acesso ao material produzido, foram realizadas a impress\u00e3o\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"partituracor-crop-u1705","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2016\/07\/partituracor-crop-u1705.jpg?resize=700%2C400 2x"},"classes":[]},{"id":72,"url":"https:\/\/www.sabra.org.br\/site\/gruposartisticos\/corais\/","url_meta":{"origin":909,"position":2},"title":"Corais","author":"M\u00e1rcio Miranda Pontes","date":"4 de julho de 2016","format":false,"excerpt":"Corais O Canto Coral proporciona diversos benef\u00edcios aos praticantes. Seja em escolas, institui\u00e7\u00f5es culturais, igrejas ou empresas auxilia no desenvolvimento cultural, humano, social e econ\u00f4mico. Contribui para a integra\u00e7\u00e3o entre participantes e para a promo\u00e7\u00e3o da sa\u00fade, por meio de uma atividade art\u00edstica que proporciona cultura e lazer \u00e0 comunidade.\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"Coral Infantil Credicom","src":"https:\/\/i0.wp.com\/www.sabra.org.br\/site\/wp-content\/uploads\/2019\/05\/credicom.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4582,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/a-despedida\/","url_meta":{"origin":909,"position":3},"title":"A Despedida","author":"M\u00e1rcio Miranda Pontes","date":"6 de janeiro de 2022","format":false,"excerpt":"A Despedida Lib\u00e9rio Ant\u00f4nio Silva Guimar\u00e3es Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais Informa\u00e7\u00e3o Geral Clave\/tom: D maior Movimentos\/Se\u00e7\u00f5es: 3 Dura\u00e7\u00e3o m\u00e9dia:\u00a0 10 minutos Estilo da obra: Cl\u00e1ssica Instrumenta\u00e7\u00e3o: 2 clarineta (Bb), 2 trompetes (Bb), 1 trombone, 1 oficleide, 2 violinos e violoncelos G\u00eanero: M\u00fasica de c\u00e2mera; orquestra; partitura\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4575,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/dobrado-sao-geraldo\/","url_meta":{"origin":909,"position":4},"title":"Dobrado S\u00e3o Geraldo","author":"M\u00e1rcio Miranda Pontes","date":"6 de janeiro de 2022","format":false,"excerpt":"Dobrado S\u00e3o Geraldo Ant\u00f4nio Felix de Souza Maia Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais Informa\u00e7\u00e3o Geral Clave\/tom: G menor Movimentos\/Se\u00e7\u00f5es: 2 Dura\u00e7\u00e3o m\u00e9dia:\u00a0 8 minutos Estilo da obra: Cl\u00e1ssica Instrumenta\u00e7\u00e3o: 1 flautim, 1 requinta (Eb), 2 clarinetas (Bb), 2 saxofones alto (Eb),\u00a0 2 saxhorn (Eb), 2\u00a0 bar\u00edtonos (Bb),\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1103,"url":"https:\/\/www.sabra.org.br\/site\/acoes\/patrimoniohistorico\/edicao-de-manuscritos-musicais\/ladainha\/","url_meta":{"origin":909,"position":5},"title":"Ladainha","author":"","date":"11 de mar\u00e7o de 2018","format":false,"excerpt":"Ladainha Ant\u00f4nio Lopes Serino Download: Partitura\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partes instrumentais\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Redu\u00e7\u00e3o para vozes e piano Informa\u00e7\u00e3o Geral Clave\/tom: D maior Movimentos\/Se\u00e7\u00f5es: 1 L\u00edngua: Latim Dura\u00e7\u00e3o m\u00e9dia:\u00a0 5 minutos Estilo da obra: Cl\u00e1ssica Instrumenta\u00e7\u00e3o: coral misto (SATB), clarineta, saxofone alto, saxofone tenor, 2 violinos, violoncelos\u2026","rel":"","context":"Post similar","block_context":{"text":"Post similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":1,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/909\/revisions"}],"predecessor-version":[{"id":15788,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/909\/revisions\/15788"}],"up":[{"embeddable":true,"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/pages\/74"}],"wp:attachment":[{"href":"https:\/\/www.sabra.org.br\/site\/wp-json\/wp\/v2\/media?parent=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}