{"id":742,"date":"2017-10-19T23:30:08","date_gmt":"2017-10-20T01:30:08","guid":{"rendered":"http:\/\/www.sabra.org.br\/site\/?p=742"},"modified":"2025-04-20T19:12:43","modified_gmt":"2025-04-20T22:12:43","slug":"o-que-e-uma-opera","status":"publish","type":"post","link":"https:\/\/www.sabra.org.br\/site\/o-que-e-uma-opera\/","title":{"rendered":"\u00d3PERA E CANTO."},"content":{"rendered":"

O que \u00e9 uma \u00f3pera?<\/h3>\n

Mesmo quem nunca assistiu uma \u00f3pera ao vivo, sabe identific\u00e1-la quando v\u00ea nos desenhos animados e nos programas televisivos. Afinal, o canto singular e marcante dos cantores e cantoras desta forma de espet\u00e1culo \u00e9 t\u00e3o marcante que impressiona at\u00e9 mesmo os leigos.<\/p>\n

A \u00f3pera \u00e9 um g\u00eanero teatral que mescla canto, interpreta\u00e7\u00e3o, poesia e m\u00fasica cl\u00e1ssica. As apresenta\u00e7\u00f5es, que ocorrem nas chamadas \u201cOpera House\u201d e nos teatros, s\u00e3o acompanhadas por uma orquestra ou forma\u00e7\u00e3o musical menor sob a orienta\u00e7\u00e3o de um maestro. \u00c9 uma verdadeira experi\u00eancia alqu\u00edmica!<\/p>\n

Ficou interessado? Ent\u00e3o descubra mais sobre o maravilhoso universo das \u00f3peras nas pr\u00f3ximas linhas.<\/p>\n

Breve hist\u00f3rico: como surgiram as \u00f3peras?<\/h3>\n

Genuinamente italiana, a \u00f3pera surgiu em meados do s\u00e9culo XVII como uma nova forma dram\u00e1tica de mesclar elementos teatrais e musicais sobre o palco. O termo vem do latim \u201copus\u201d, que significa \u201cobra\u201d, e foi utilizado para denominar as cria\u00e7\u00f5es que estavam florescendo durante o Renascimento, principalmente nas cidades de Floren\u00e7a, Veneza, Roma e N\u00e1poles. A primeira obra da hist\u00f3ria considerada uma \u00f3pera foi criada pelo veneziano Claudio Monteverdi, no s\u00e9culo XVI.<\/p>\n

Em poucas d\u00e9cadas, a burguesia em ascens\u00e3o criou gosto pelas \u00f3peras e as apresenta\u00e7\u00f5es espalharam-se pela Europa, estimulando a constru\u00e7\u00e3o de grandes teatros e espa\u00e7os dedicados \u00e0s apresenta\u00e7\u00f5es do g\u00eanero.<\/p>\n

Por causa das origens, a maior parte das \u00f3peras \u00e9 cantada em latim e em italiano. Por\u00e9m, extraordin\u00e1rios compositores de outros pa\u00edses tamb\u00e9m al\u00e7aram \u00f3peras francesas e alem\u00e3s ao hall da fama da m\u00fasica cl\u00e1ssica.<\/p>\n

O que caracteriza as \u00f3peras?<\/h3>\n

Elas s\u00e3o apresenta\u00e7\u00f5es dram\u00e1ticas que combinam o canto com a m\u00fasica instrumental. Geralmente os di\u00e1logos entre os personagens do enredo s\u00e3o substitu\u00eddos pelos recitativos, que se situam entre o canto e a fala. Essa \u00e9 uma caracter\u00edstica forte das \u00f3peras italianas, mas n\u00e3o tanto das alem\u00e3s, que utilizam mais o di\u00e1logo falado (chamado de Singspiel), a exemplo da \u201cDie Zauberfl\u00f6te\u201d de Mozart.<\/p>\n

Os cantores de \u00f3pera s\u00e3o classificados de acordo com o timbre vocal: enquanto os homens podem ser tenores, contratenores, bar\u00edtonos, baixos-bar\u00edtonos e baixos, as mulheres s\u00e3o classificadas como sopranos, mezzo-sopranos e contraltos (pode haver tamb\u00e9m outras subcategorias). J\u00e1 o \u201clibretto\u201d \u00e9 o roteiro ou a letra da \u00f3pera e orienta toda a apresenta\u00e7\u00e3o.<\/p>\n

As \u00f3peras podem ser divididas em diversos tipos, como a \u00f3pera-balada francesa, a \u00f3pera buffa ou \u00f3pera c\u00f4mica italiana, a \u00f3pera s\u00e9ria do per\u00edodo barroco, o bel-canto italiano, a grand-\u00f3pera, a opereta, entre outras. Tamb\u00e9m pode ser classificada conforme o per\u00edodo, \u00e0 exemplo da \u00f3pera barroca, da cl\u00e1ssica, da rom\u00e2ntica e da contempor\u00e2nea.<\/p>\n

Quais s\u00e3o as \u00f3peras mais famosas?<\/h3>\n

Listar as melhoras e mais populares \u00f3peras de todos os tempos \u00e9 uma tarefa \u00e1rdua e certamente demandaria algumas p\u00e1ginas de explica\u00e7\u00f5es e justificativas para os crit\u00e9rios de escolha. Mas n\u00e3o restam d\u00favidas de que algumas obras certamente estariam na sele\u00e7\u00e3o, como \u201cA\u00edda\u201d e \u201cLa Traviata\u201d de Giuseppe Verdi, \u201cDon Giovanni\u201d e \u201cDie Zauberfl\u00f6te\u201d (A Flauta M\u00e1gica) de Wolfgang Amadeus Mozart, \u201cIl Barbiere di Siviglia\u201d (O Barbeiro de Sevilha) de Gioacchino Rossini, \u201cCarmen\u201d de Georges Bizet, e \u201cLa boh\u00e8me\u201d e \u201cMadama Butterfly\u201d de Giacomo Puccini.<\/p>\n

Se voc\u00ea gostou deste post:<\/h3>\n

– siga as nossas p\u00e1ginas nas redes sociais para acompanhar as nossas atualiza\u00e7\u00f5es: estamos no Facebook<\/a>, no Instagram<\/a>, no LinkedIn<\/a>, no Twitter<\/a> e no YouTube<\/a>!<\/p>\n

– Conhe\u00e7a o trabalho da Sociedade Art\u00edstica Brasileira (SABRA) e todas as iniciativas culturais e sociais que ela mant\u00e9m. Acesse nosso site!<\/a><\/p>\n

– entre em contato com a gente. E veja quais s\u00e3o as op\u00e7\u00f5es de ajuda na manuten\u00e7\u00e3o de nossas a\u00e7\u00f5es sociais e culturais. Basta acessar nossa p\u00e1gina Doe Agora!<\/a><\/p>\n

– Compartilhe este texto nas suas redes sociais e ajude os seus amigos a tamb\u00e9m dominarem o assunto!<\/p>\n","protected":false},"excerpt":{"rendered":"

italiana a \u00f3pera
\n\u00f3pera
\n\u00f3peras
\nm\u00fasica cl\u00e1ssica
\ndie zauberfl\u00f6te<\/p>\n","protected":false},"author":39,"featured_media":716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[15,8,16,12,17,11,9],"class_list":["post-742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-sabra","tag-assistencia-social","tag-canto-coral","tag-musicalizacao-infantil","tag-oficina-musical-sabra","tag-opera","tag-orquestra-sinfonica-de-betim","tag-sociedade-artistica-brasileira"],"yoast_head":"\n\u00d3PERA E CANTO. - SABRA - Sociedade Art\u00edstica Brasileira<\/title>\n<meta name=\"description\" content=\"A \u00f3pera \u00e9 um g\u00eanero teatral que mescla canto, interpreta\u00e7\u00e3o, poesia e m\u00fasica cl\u00e1ssica. \u00c9 uma verdadeira experi\u00eancia alqu\u00edmica!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sabra.org.br\/site\/o-que-e-uma-opera\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00d3PERA E CANTO. - 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